Physical acting, taught with precision
Most acting courses spend 80% of their time on voice and text. Facial expression and gesture - the layer audiences read first - gets 20 minutes at the end. This platform reverses that ratio.
Current practice
What professional casting directors actually look at in 2024
Casting decisions at screen level are made in the first 4 seconds of a self-tape - before a single line is delivered. Micro-expression control and intentional gesture are what those 4 seconds contain.
The curriculum is built from documented patterns in contemporary Irish and UK screen casting, not from theatrical tradition alone. Instructors track changes in industry expectation each season - what read as naturalistic in 2019 now registers as stagey on camera. Sessions address that gap directly, with exercises drawn from current production contexts rather than from a static download guide or printed manual.
This platform is specific - here is who it is designed for
A good fit if you are
Working on screen, not just stage
Camera technique for expression differs from theatre projection. Sessions are calibrated for close-up and mid-shot contexts - the distances that define screen performance.
Preparing a self-tape within 6 weeks
Short-cycle learning paths exist for people with a specific audition or production deadline. 3 individual sessions plus 2 group workshops cover the fundamentals at pace.
Based anywhere, available online
All sessions run live via video. Being in Co. Kerry or anywhere in Ireland or abroad makes no difference to access - the platform connects learners virtually.
Probably not the right fit if you
Want a passive video library
Every session is live. There is no pre-recorded content to watch at your own pace. The work requires you to show up, be seen, and receive real-time feedback.
Are looking for a full drama degree
The focus is narrow and deliberate: facial expression and gesture specifically. It is not a comprehensive acting conservatoire programme - and it does not try to be.
Expect results without consistent practice
Physical acting technique requires repetition across weeks, not a single session. Students who attend fewer than 8 sessions in a term rarely embed the material durably.
What the commitment looks like
Pricing is not listed here in full - course structures vary and individual paths are scoped in a short intake call. What is listed below gives you enough to know whether a conversation is worth having.
There is no download manual or download guide for pricing - all specifics are discussed directly so the structure fits your actual situation.
Indicative structure
Prices shown are indicative ranges. Final cost depends on session frequency, group size, and whether the path is individual or combined. Payment is structured in monthly instalments.
The people behind it
Qualified instructors, not just performers
Performing and teaching are different skills. The instructors here have done both - and the distinction matters when you are trying to understand why something is not working in your face.
Lead instructor Ciarán Ó Floinn trained at the Gaiety School of Acting and spent 11 years working across Irish and UK screen productions before moving into teaching in 2019. His focus is on the mechanics of expression - the muscular and psychological pathways that produce legible, camera-ready emotion without forcing it.
Supporting instructors include specialists in movement-based expression and Stanislavski-derived gesture work. All instructors maintain active professional practice alongside teaching - sessions reflect what is current, not what was relevant a decade ago.
Numbers that describe the platform without inflating it
The 91% continuation figure is the one we track most carefully - it reflects whether the sessions are genuinely useful, not whether people signed up in the first place. Group sizes are deliberately capped at 9 so instructors can address specific habits in each student's expression and gesture vocabulary during every session.
What students found, in their own words
These are specific accounts from people who completed at least one full term. Results are their own - not a guarantee of what you will experience.
I had been acting in community theatre for 6 years and thought I understood my face. The first session showed me I was doing 3 things with my eyebrows that I had no idea about. By week 7, a director I had auditioned for twice before called me back - she said something had changed in how I read on camera. I cannot say it was only the sessions, but the timing lines up.
Aoife Brennan
Completed 12-week group term · Cork, Ireland
I took 4 individual sessions before a short film audition. The instructor gave me specific notes on how I was holding tension in my jaw during emotional scenes - something no one had mentioned in 3 years of classes.
Tomasz Wierzbicki
Individual intensive path · Remote, Poland
The group format was more useful than I expected. Watching 8 other people work through the same exercise makes the feedback land differently - you see the pattern in yourself more clearly.
Nuala Fitzgibbon
Group sessions, second term · Limerick, Ireland